Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 62 筆
... Hong Kong base this on his childhood there and his participation in the Hong Kong cinema . However , Kwai - Cheung Lo acknowledges that Lee does not connote a clear Hong Kong identity to most people from Hong Kong . Not only did Lee ...
... Hong Kong art cinema . The Ethics of Circulation In her edited collection At Full Speed , Esther Yau describes New Hong Kong cinema as encompassing : " film as art , . . . an ethical concept of authorship , ... the film auteur's social ...
... Hong Kong films were not considered “ local production ” in China and so faced China's strict import quotas , among other restrictions . Hong Kong films engaged the Chinese mainland before that time : Co - productions were being made ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
著作權所有 | |
11 個其他區段未顯示