Embodied Modernities: Corporeality, Representation, and Chinese CulturesFrom feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the Chinese body is thornier than ever. By facilitating fresh dialogue between fields as diverse as the history of science, literary studies, diaspora studies, cultural anthropology, and contemporary Chinese film and cultural studies, Embodied Modernities addresses contemporary Chinese embodiments as they are represented textually and as part of everyday life practices. The book is divided into two sections, each with a dedicated introduction by the editors. The first examines Thresholds of Modernity in chapters on Chinese body cultures in the late nineteenth and early twentieth centuries--a period of intensive cultural, political, and social modernization that led to a series of radical transformations in how bodies were understood and represented.The second section on Contemporary Embodiments explores body representations across the People's Republic of China, Taiwan, and Hong Kong today. Contributors: Chris Berry, Louise Edwards, Maram Epstein, Larissa Heinrich, Olivia Khoo, Fran Martin, Jami Proctor-Xu, Tze-lan D. Sang, Teri Silvio, Mark Stevenson, Cuncun Wu, Angela Zito, John Zou. |
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第 1 到 3 筆結果,共 20 筆
Jiaolong regrets the worry those rumors cause her parents , is persuaded by a respected female knight - errant Yu Xiulian to return the sword to the prince , and resigns herself to resuming her former constrained life in the boudoir .
After pursuing the thief in vain and failing to recover her child , Jiaolong adopts the abandoned baby girl , Xueping , and raises her as her own . She returns to her beloved Xinjiang where she owns a vast ranch that her Kazakh female ...
Other than Yu Jiaolong , examples of women who can fight in Crouching Tiger include Cai Xiangmei , Yu Xiulian , and Biyan Huli ( the Green - eyed Fox ) , who are the daughters , respectively , of a policeman , the male owner of an ...