Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 48 筆
... actors in contemptuous tones , and since this is not necessarily a simple reflec- tion of the author's own views , we might conclude that he felt this attitude reflected the values of young people at the time . Throughout Chinese ...
... actors soon became so formalized in the theaters of Beijing that the term dan came to refer to the actors themselves , both on stage and off.13 Audiences also contributed to the aura of feminization through their own discourse of ...
... actors are average , it is less interesting than when the actors are elegant and the play is average .... The appearance of actors is more important to me than acting ability . The script , plot , and roles are immaterial ; for me there ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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