Embodied Modernities: Corporeality, Representation, and Chinese Cultures
From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the Chinese body is thornier than ever.
By facilitating fresh dialogue between fields as diverse as the history of science, literary studies, diaspora studies, cultural anthropology, and contemporary Chinese film and cultural studies, Embodied Modernities addresses contemporary Chinese embodiments as they are represented textually and as part of everyday life practices. The book is divided into two sections, each with a dedicated introduction by the editors. The first examines Thresholds of Modernity in chapters on Chinese body cultures in the late nineteenth and early twentieth centuries--a period of intensive cultural, political, and social modernization that led to a series of radical transformations in how bodies were understood and represented.The second section on Contemporary Embodiments explores body representations across the People's Republic of China, Taiwan, and Hong Kong today.
Contributors: Chris Berry, Louise Edwards, Maram Epstein, Larissa Heinrich, Olivia Khoo, Fran Martin, Jami Proctor-Xu, Tze-lan D. Sang, Teri Silvio, Mark Stevenson, Cuncun Wu, Angela Zito, John Zou.
第 1 到 3 筆結果，共 47 筆
In the passage translated above Ba Jin also refers to the female role dan actors in contemptuous tones , and since this is not necessarily a simple reflection of the author's own views , we might conclude that he felt this attitude ...
The term denoted quite specifically the boy - actors who cross - dressed for young female ( dan ) roles on the public stages of ... usually on contract ) , or they were born into the profession through descent within an acting family .
The performance of young female roles ( dan ) by boy - actors soon became so formalized in the theaters of Beijing that the term dan came to refer to the actors themselves , both on stage and off.13 Audiences also contributed to the ...