Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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... characters are very real to them , and Pili fans are famous for their extreme emotional at- tachment to their favorite characters.22 Where does this emotional investment come from ? The " cinematization " ( dianyinghua ) of Pili's ...
... characters . In dance performances , female charac- ters tend to follow the " national dance " style based on Chinese opera move- ments , while male characters either do choreographed sword - fighting routines to Pili theme music , or ...
... characters . The dancers , who were clearly influenced by the American school of modern dance , enacted a story of developing passion be- tween two characters , frequently changing speed and mood . Some fans I spoke to afterwards found ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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