Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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... demolition actually begin . His peaceful death is juxtaposed with the violent death of the bathhouse , thereby implicitly justifying the latter . The film seems to be suggesting that demolition brings an end to an architectural ...
... demolition and situate that demolition within the larger context of modernization and mechanization . The film's use of similar images and sounds across the various time - spaces creates the sense of continuous development and ...
... demolition scene in Shower . Like the beetle documentary , the final scene emphasizes the connection between death and new life , focusing on the context of transformation and on the production of traces rather than on the demolition ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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