Embodied Modernities: Corporeality, Representation, and Chinese Cultures
From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever.
第 1 到 3 筆結果，共 87 筆
Trained as an opera singer in the female roles , Mei developed his career by playing an extensive catalogue of glamorous Chinese women , mostly of past ages . His stage presence , so often the rallying point of passionate nationalist ...
dalized male body and incoherent female persona was rendered obsolete . In its place emerged a stylistically intensified female persona and a sartorially independent male body . This new “ bare ” body was not exposed but hidden .
And fourth , whereas in Zhou Zuoren's description it was the female clothing rather than the male body that was foregrounded in theatrical performance , the opposite is true in Mei's account . For Zhou , the costume was designated as ...