Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 43 筆
... performance of female roles by male actors is key . In the traditionally all - male folk convention of Chinese performance , male roles dominated the theater until the end of 1900s . But it was only when female roles assumed an ...
... performance . This tendency alone may explain the fact that where cross - dressed acting in the late Qing often featured women of ques- tionable repute , the majority of Peking opera's female characters in Repub- lican productions ...
... performance piece and document- ing photograph by Sun Yuan and Peng Yu , in which the artists transfuse their own blood into a medical specimen of conjoined fetal twins ( Fig . 8.5 ) . Like Zhu Yu's performance of skin graft , this work ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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