Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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... play . When a play is elegant and the actors are average , it is less interesting than when the actors are elegant and the play is average .... The appearance of actors is more important to me than acting ability . The script , plot ...
... plays he performed , Mei once confessed that Yuzhoufeng was his all - time favorite . The play is about the righteous daughter of a wicked prime minister , who vents her anger at her father's and the emperor's evil by feigning madness ...
... play was unique in Mei's extensive repertoire because it represented a case in which the force of moral authority addressed itself explicitly to sexuality . Particularly at the moment of screening the maid's gesture , Lady Zhao comes ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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