Embodied Modernities: Corporeality, Representation, and Chinese Cultures
From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever.
第 1 到 3 筆結果，共 52 筆
In Pinhua baojian ( The Precious Mirror of Ranked Flowers ) , an important homoerotic novel from the middle of the Qing dynasty , the romantic literatus Tian Chunhang openly asserts : 1 What matters to me is the person , not the play .
But in terms of formal stylistics , they varied greatly , for if the three - dimensional play between female clothing and male flesh sustained a theater of male same - sex provocation , then birds , flowers , and other feminine designs ...
Moreover , this play was unique in Mei's extensive repertoire because it represented a case in which the force of moral authority addressed itself explicitly to sexuality . Particularly at the moment of screening the maid's gesture ...