Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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... theater architecture show in their terminology an associa- tion between the homoerotic atmosphere in Beijing theaters and the display of power . In the following passage from his miscellany Jintai canleiji ( Record of the Golden Stage's ...
... theater communities and literary and artistic groups are celebrating the birthday centennials of Mei Lanfang and Zhou Xinfang , ” the president proclaimed , " the purpose of the symposium is to address the grand vision of reviving ...
... theater , however , we must consider certain apparent ironies . Trained as an opera singer in the female roles , Mei developed his career by playing an extensive catalogue of glamorous Chinese women , mostly of past ages . His stage ...
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New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
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