Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 37 筆
... turn illustrates a new " complexity of the relation between the category of the person and the commodity form that it both opposes and subtends . " ? How then might we expect this to manifest in art and literature in China ? If ...
... turn of events — that in the end it was she of all people who had enabled Shangang to achieve his fondest ambition : a male heir to carry on the line.11 The story ends when there is no more of Shangang's body left to dissect . The ...
... turns , Wei grabs a brick to bludgeon him . Lee turns back in fury , but the film does not even consider it worth showing us the actual crushing of this insect - like figure , and we cut immediately to the next morning and Wei's body ...
內容
New Incarnations of | |
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
著作權所有 | |
11 個其他區段未顯示