Sleuthing Ethnicity: The Detective in Multiethnic Crime FictionDorothea Fischer-Hornung, Monika Mueller Fairleigh Dickinson University Press, 2003 - 331 頁 Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction reflects the fact that ethnic detective novels have by now become an accepted subgenre of detective fiction. This volume focuses on the characteristics of ethnic detective fiction and the important genre modifications effected by the subgenre. As many contributors indicate, in ethnic detective fiction the importance of the detective's community of origin often superseded the traditional loneliness of the detective. Moreover, ethnic crime fiction addresses issues of personal and social identity that point out the importance of the ethnic community for the individual detective. The essays collected in this volume confront these established issues of ethnic detective fiction but also move beyond them by focusing on wider topics: the intersection of ethnicity and gender; marketing strategies for ethnic mysteries; juvenile ethnic detective literature; changing sexual politics; and historical issues of ethnic crime. The additional focus of this collection of essays on recent international detective fiction outside the United States redirects attention to questions of authenticity, authority, and stereotyping. |
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第 1 到 3 筆結果,共 29 筆
第 53 頁
... called mainstream America through " upward mobility " ( see Siebald 1998 ) . Abraham Cahan , Anzia Yezierska , and Mary Antin are usually pre- sented as early examples of authors subscribing to this tendency in their fiction . Recently ...
... called mainstream America through " upward mobility " ( see Siebald 1998 ) . Abraham Cahan , Anzia Yezierska , and Mary Antin are usually pre- sented as early examples of authors subscribing to this tendency in their fiction . Recently ...
第 97 頁
... called mainstream , his or her story inadvertently turns into ... a comment on the challenges of everyday life in a ' multicultural ' soci- ety " ( 1992 , 9–10 ) . The detectives and , of course , their creators become cultural ...
... called mainstream , his or her story inadvertently turns into ... a comment on the challenges of everyday life in a ' multicultural ' soci- ety " ( 1992 , 9–10 ) . The detectives and , of course , their creators become cultural ...
第 272 頁
... called him " Cleopatra " because of his locks . Since he did not drink , they thought he was a fundamentalist . And , because he always declined the obligatory stopover chez Sylvie during their nightly rounds , they imagined he was gay ...
... called him " Cleopatra " because of his locks . Since he did not drink , they thought he was a fundamentalist . And , because he always declined the obligatory stopover chez Sylvie during their nightly rounds , they imagined he was gay ...
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