Sleuthing Ethnicity: The Detective in Multiethnic Crime FictionDorothea Fischer-Hornung, Monika Mueller Fairleigh Dickinson University Press, 2003 - 331 頁 Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction reflects the fact that ethnic detective novels have by now become an accepted subgenre of detective fiction. This volume focuses on the characteristics of ethnic detective fiction and the important genre modifications effected by the subgenre. As many contributors indicate, in ethnic detective fiction the importance of the detective's community of origin often superseded the traditional loneliness of the detective. Moreover, ethnic crime fiction addresses issues of personal and social identity that point out the importance of the ethnic community for the individual detective. The essays collected in this volume confront these established issues of ethnic detective fiction but also move beyond them by focusing on wider topics: the intersection of ethnicity and gender; marketing strategies for ethnic mysteries; juvenile ethnic detective literature; changing sexual politics; and historical issues of ethnic crime. The additional focus of this collection of essays on recent international detective fiction outside the United States redirects attention to questions of authenticity, authority, and stereotyping. |
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第 1 到 3 筆結果,共 45 筆
第 108 頁
... past . Sonny learns that he must defeat Raven in the past , where Raven has kidnapped his four grandmothers ( one for every line of his mixed blood heritage ) in order to resolve the kidnappings of four young girls in the present . By ...
... past . Sonny learns that he must defeat Raven in the past , where Raven has kidnapped his four grandmothers ( one for every line of his mixed blood heritage ) in order to resolve the kidnappings of four young girls in the present . By ...
第 151 頁
... past that can only be remembered in fragments ; it can never be perceived as a whole . In estab- lishing a vision of his / her lost home , the migrant is always aware that s / he cannot reclaim precisely the thing that was lost , even ...
... past that can only be remembered in fragments ; it can never be perceived as a whole . In estab- lishing a vision of his / her lost home , the migrant is always aware that s / he cannot reclaim precisely the thing that was lost , even ...
第 156 頁
... past lives in China- town . In letting Stacy discover the various stages of their routes through life , Yep explicitly shows subjectivity to be multilayered and fluid . Stacy is " restaging the past " by learning to incorporate her ...
... past lives in China- town . In letting Stacy discover the various stages of their routes through life , Yep explicitly shows subjectivity to be multilayered and fluid . Stacy is " restaging the past " by learning to incorporate her ...
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Abdouf Aboriginal Adrienne Johnson African American Alan American detective Anaya Australian Barbara Neely becomes beliefs Birkle Blanche character Chee Cole crime fiction Cuban cultural detective fiction detective novel detective's discourses doppelgänger dreams Easy Ella's English ethnic detective feels feminist film French gender genre German ghosts Gordon Gosselin Grangé hard-boiled detective Harlem Hillerman identity Imamu Indian Killer indigenous investigation Jewish Jim Chee John John Shaft Karim Kemal Kemelman killed lesbian literature living Morgan's Mosley mother multicultural murder mystery narrative Native American Navajo Newark Niémans plot police political Press protagonist Rabbi race racial reader Rudolfo Rudolfo Anaya sexual Shaft sleuth social Soitos solve Stacy Tamara Hayle thing Thurlo and Thurlo tion tive Tony Tony Hillerman traditional University Upfield Valerie Wilson Wesley violence Walter Mosley Walter Mosley's Wilson woman women writing York