Sleuthing Ethnicity: The Detective in Multiethnic Crime FictionDorothea Fischer-Hornung, Monika Mueller, Fairleigh Dickinson University Fairleigh Dickinson University Press, 2003 - 331 頁 Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction reflects the fact that ethnic detective novels have by now become an accepted subgenre of detective fiction. This volume focuses on the characteristics of ethnic detective fiction and the important genre modifications effected by the subgenre. As many contributors indicate, in ethnic detective fiction the importance of the detective's community of origin often superseded the traditional loneliness of the detective. Moreover, ethnic crime fiction addresses issues of personal and social identity that point out the importance of the ethnic community for the individual detective. The essays collected in this volume confront these established issues of ethnic detective fiction but also move beyond them by focusing on wider topics: the intersection of ethnicity and gender; marketing strategies for ethnic mysteries; juvenile ethnic detective literature; changing sexual politics; and historical issues of ethnic crime. The additional focus of this collection of essays on recent international detective fiction outside the United States redirects attention to questions of authenticity, authority, and stereotyping. |
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第 1 到 3 筆結果,共 38 筆
第 126 頁
Also in keeping with the intraracial color plot — which culminates in color -
related domestic crime - Blanche , concerned about her daughter Taifa ' s
observation that “ if you have dark skin , people laugh at you and say you smell
bad and ...
Also in keeping with the intraracial color plot — which culminates in color -
related domestic crime - Blanche , concerned about her daughter Taifa ' s
observation that “ if you have dark skin , people laugh at you and say you smell
bad and ...
第 165 頁
The conflict underlying the plot itself is literally black and white : an audience can
only feel revulsion when an ultraracist white villain first provokes , then brutally
murders an innocent black man for being uppity " in front of his white female ...
The conflict underlying the plot itself is literally black and white : an audience can
only feel revulsion when an ultraracist white villain first provokes , then brutally
murders an innocent black man for being uppity " in front of his white female ...
第 312 頁
MM : How do you go about plotting your books ? VWW : In terms of plotting a
book , you know where it ends , at least in general . You know who the ... There
are a number of plot points that give the novel its structure , its form . I even go so
far ...
MM : How do you go about plotting your books ? VWW : In terms of plotting a
book , you know where it ends , at least in general . You know who the ... There
are a number of plot points that give the novel its structure , its form . I even go so
far ...
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