Shadows in the Field: New Perspectives for Fieldwork in EthnomusicologyGregory F. Barz, Timothy J. Cooley Oxford University Press, 2008年9月9日 - 352 頁 Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition. |
搜尋書籍內容
第 1 到 5 筆結果,共 62 筆
第 頁
... identity (nationality, ethnicity, gender) and the personality—shy, outgoing, quick on the uptake, contemplative—of the fieldworker makes a lot of difference in the research enterprise. We learned that fieldwork may include the gathering ...
... identity (nationality, ethnicity, gender) and the personality—shy, outgoing, quick on the uptake, contemplative—of the fieldworker makes a lot of difference in the research enterprise. We learned that fieldwork may include the gathering ...
第 頁
... identity, gender, politics and cultural policy, oral epics, repertory studies, and flute performance. She is the recipient of Syracuse University's Meredith Teaching Recognition Award, and her publications have appeared in the journals ...
... identity, gender, politics and cultural policy, oral epics, repertory studies, and flute performance. She is the recipient of Syracuse University's Meredith Teaching Recognition Award, and her publications have appeared in the journals ...
第 頁
... Identity and Everyday Life: Essays in the Study of Folklore, Music, and Popular Culture (coauthored by Giovanna P. Del Negro), and Global Pop, Local Language (coedited by Michael T. Carroll). He has served as president of the US Branch ...
... Identity and Everyday Life: Essays in the Study of Folklore, Music, and Popular Culture (coauthored by Giovanna P. Del Negro), and Global Pop, Local Language (coedited by Michael T. Carroll). He has served as president of the US Branch ...
第 頁
... identity in the House of Israel community in Western Ghana, and her earlier work has also extended to the socioesthetics of jam sessions at bluegrass festivals in the United States. Kisliuk directs the UVA African Music and Dance ...
... identity in the House of Israel community in Western Ghana, and her earlier work has also extended to the socioesthetics of jam sessions at bluegrass festivals in the United States. Kisliuk directs the UVA African Music and Dance ...
第 頁
... identity work in a series of case studies. She serves as president of the Society for Ethnomusicology for 200709 and pre viously served on the SEM Board of Directors from 1999 to 2005. She has taught at Pomona College and at the ...
... identity work in a series of case studies. She serves as president of the Society for Ethnomusicology for 200709 and pre viously served on the SEM Board of Directors from 1999 to 2005. She has taught at Pomona College and at the ...
內容
Knowing Fieldwork | |
Toward a Mediation of Field Methods and Field Experience | |
From Performance to Performative Ethnography | |
Three Case Studies | |
European and Asian Perspectives | |
Working with the Masters | |
Encountering the Syrian Jewish | |
Sharing Songs Sharing Lives | |
Music | |
Returning to the Ethnomusicological Past | |
The Joys Dangers | |
其他版本 - 查看全部
常見字詞
academic activities American American Idol anthropologists Asian American asked BaAka become boundaries Bulgarian Burgenland chapter Chiener cultural dance email encounter engaged epistemological ethical ethnographic ethnomusicological fieldwork ethnomusicological past example field experience field research fieldnotes fieldwork gender genres hermeneutic Hindustani music human identity important individuals interaction Internet interpretation interview issues Jewish music Kathaks Kisliuk knowledge Kobersdorf kwaya learning lives Mantle Hood means mediated methods Mukund Mundari Mundas musical performance musical practices musical tradition musicculture musicians musicology nacni Nagpuri nanguan narrative object observation one’s paradigm participation people’s perspective phenomenological piyo maina pizmonim play political popular music present questions recording reflexive relationship role scholars Seeger sense Shadows shared Shelemay singing social Society for Ethnomusicology songs sound spaces Suyá Syrian Jewish Syrian Jews taiko players teaching texts theory Titon understanding University ustād village virtual fieldwork women writing