Shadows in the Field: New Perspectives for Fieldwork in EthnomusicologyGregory F. Barz, Timothy J. Cooley Oxford University Press, 2008年9月9日 - 352 頁 Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition. |
搜尋書籍內容
第 1 到 5 筆結果,共 71 筆
第 頁
... important, the fieldworker needs to find a niche for himself or herself in the host society, where one is inevitably an outsider, but, if I can put it this way, an outsider of the insider sort. There are so many things that are distinct ...
... important, the fieldworker needs to find a niche for himself or herself in the host society, where one is inevitably an outsider, but, if I can put it this way, an outsider of the insider sort. There are so many things that are distinct ...
第 頁
... important niche, should also take its place among a number of important landmarks that go back to our earliest literature. A few words about the experience of collecting do appear in some of our earliest classics. Carl Stumpf (1886) ...
... important niche, should also take its place among a number of important landmarks that go back to our earliest literature. A few words about the experience of collecting do appear in some of our earliest classics. Carl Stumpf (1886) ...
第 頁
... importance, and unsurprisingly it began quickly to be used as a text or required reading in seminars of students heading for the field. Many of its individual articles have been widely cited and it has become a mainstay of the central ...
... importance, and unsurprisingly it began quickly to be used as a text or required reading in seminars of students heading for the field. Many of its individual articles have been widely cited and it has become a mainstay of the central ...
第 頁
... importance of studying music in its cultural context, he shifted the focus back on the music sound object with his call for bimusicality, a corollary to the anthropologist's bilingual challenge (1960; 1982:25–40). In the 1970s and 1980s ...
... importance of studying music in its cultural context, he shifted the focus back on the music sound object with his call for bimusicality, a corollary to the anthropologist's bilingual challenge (1960; 1982:25–40). In the 1970s and 1980s ...
第 頁
... important early example of fieldwork of Western Art Music (1988); Kay Shelemay's ethnography of the early music movement is a more recent example (2001). Shadows in the Field—Contributions The essays in Shadows in the Field are ...
... important early example of fieldwork of Western Art Music (1988); Kay Shelemay's ethnography of the early music movement is a more recent example (2001). Shadows in the Field—Contributions The essays in Shadows in the Field are ...
內容
Knowing Fieldwork | |
Toward a Mediation of Field Methods and Field Experience | |
From Performance to Performative Ethnography | |
Three Case Studies | |
European and Asian Perspectives | |
Working with the Masters | |
Encountering the Syrian Jewish | |
Sharing Songs Sharing Lives | |
Music | |
Returning to the Ethnomusicological Past | |
The Joys Dangers | |
其他版本 - 查看全部
常見字詞
academic activities American American Idol anthropologists Asian American asked BaAka become boundaries Bulgarian Burgenland chapter Chiener cultural dance email encounter engaged epistemological ethical ethnographic ethnomusicological fieldwork ethnomusicological past example field experience field research fieldnotes fieldwork gender genres hermeneutic Hindustani music human identity important individuals interaction Internet interpretation interview issues Jewish music Kathaks Kisliuk knowledge Kobersdorf kwaya learning lives Mantle Hood means mediated methods Mukund Mundari Mundas musical performance musical practices musical tradition musicculture musicians musicology nacni Nagpuri nanguan narrative object observation one’s paradigm participation people’s perspective phenomenological piyo maina pizmonim play political popular music present questions recording reflexive relationship role scholars Seeger sense Shadows shared Shelemay singing social Society for Ethnomusicology songs sound spaces Suyá Syrian Jewish Syrian Jews taiko players teaching texts theory Titon understanding University ustād village virtual fieldwork women writing