Shadows in the Field: New Perspectives for Fieldwork in EthnomusicologyGregory F. Barz, Timothy J. Cooley Oxford University Press, 2008年9月9日 - 352 頁 Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition. |
搜尋書籍內容
第 1 到 5 筆結果,共 61 筆
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... role we were playing in the “field'' communities, whether we were doing harm or good, and about our relationship to ethnomusicologists from those host communities. We worried that our very presence would result in significant culture ...
... role we were playing in the “field'' communities, whether we were doing harm or good, and about our relationship to ethnomusicologists from those host communities. We worried that our very presence would result in significant culture ...
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... As Kisliuk writes in this volume, we may be required by the people we study to enter into a role cultivated during a colonial period even if we actively work to define for ourselves a different field stance. As individual.
... As Kisliuk writes in this volume, we may be required by the people we study to enter into a role cultivated during a colonial period even if we actively work to define for ourselves a different field stance. As individual.
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... roles as fieldworkers in the lingering shadows of colonialism (Babiracki; Kisliuk; Stock and Chou). Technological advances in the following century contributed to the institutionalization of crosscultural music studies using a ...
... roles as fieldworkers in the lingering shadows of colonialism (Babiracki; Kisliuk; Stock and Chou). Technological advances in the following century contributed to the institutionalization of crosscultural music studies using a ...
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... role as fieldworkers, we are moving from a concern about the potential negative impact on those we study and toward active advocacy for those same individuals and their communities (Seeger this volume; HellierTinoco 2003). In light of ...
... role as fieldworkers, we are moving from a concern about the potential negative impact on those we study and toward active advocacy for those same individuals and their communities (Seeger this volume; HellierTinoco 2003). In light of ...
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... roles, identities, and selfreflexive experiences in ethnomusicological fieldwork. Jeff Todd Titon proposes an ... roles on her own research in village India, which began in 1981 and was renewed in 1993. The influence of these different ...
... roles, identities, and selfreflexive experiences in ethnomusicological fieldwork. Jeff Todd Titon proposes an ... roles on her own research in village India, which began in 1981 and was renewed in 1993. The influence of these different ...
內容
Knowing Fieldwork | |
Toward a Mediation of Field Methods and Field Experience | |
From Performance to Performative Ethnography | |
Three Case Studies | |
European and Asian Perspectives | |
Working with the Masters | |
Encountering the Syrian Jewish | |
Sharing Songs Sharing Lives | |
Music | |
Returning to the Ethnomusicological Past | |
The Joys Dangers | |
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