Shadows in the Field: New Perspectives for Fieldwork in EthnomusicologyGregory F. Barz, Timothy J. Cooley Oxford University Press, 2008年9月9日 - 352 頁 Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition. |
搜尋書籍內容
第 1 到 5 筆結果,共 83 筆
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... social anthropology—texts (maybe the songs and pieces); structures (the system of required behavior in musical activity, and the system of ideas underlying music); and the most intriguing, because it tells how these structures are ...
... social anthropology—texts (maybe the songs and pieces); structures (the system of required behavior in musical activity, and the system of ideas underlying music); and the most intriguing, because it tells how these structures are ...
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... social history of drumming in India, and include translations, transnotations, and analyses of nineteenth and early twentiethcentury indigenous writings on repertoire, rhythm, and meter. His latest book, Gurudev's Drumming Legacy (2006) ...
... social history of drumming in India, and include translations, transnotations, and analyses of nineteenth and early twentiethcentury indigenous writings on repertoire, rhythm, and meter. His latest book, Gurudev's Drumming Legacy (2006) ...
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... Social Relations, MA and PhD University of Chicago in Anthropology). He has combined university teaching and public eth nomusicology activities during his professional career as associate professor in the Department of Anthropology of ...
... Social Relations, MA and PhD University of Chicago in Anthropology). He has combined university teaching and public eth nomusicology activities during his professional career as associate professor in the Department of Anthropology of ...
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... social scientists endeavoring to understand other aspects of cultural practices. With a spirit of unboundedness ... social sciences, and to explore new perspectives. These new perspectives are not just for ethnomusicologists but also for ...
... social scientists endeavoring to understand other aspects of cultural practices. With a spirit of unboundedness ... social sciences, and to explore new perspectives. These new perspectives are not just for ethnomusicologists but also for ...
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... social actors within the very cultural phenomena they study. Ethnographic fieldwork requires meaningful facetoface interaction with other individuals, and therein lie both the promise and challenge of our endeavors. In the first edition ...
... social actors within the very cultural phenomena they study. Ethnographic fieldwork requires meaningful facetoface interaction with other individuals, and therein lie both the promise and challenge of our endeavors. In the first edition ...
內容
Knowing Fieldwork | |
Toward a Mediation of Field Methods and Field Experience | |
From Performance to Performative Ethnography | |
Three Case Studies | |
European and Asian Perspectives | |
Working with the Masters | |
Encountering the Syrian Jewish | |
Sharing Songs Sharing Lives | |
Music | |
Returning to the Ethnomusicological Past | |
The Joys Dangers | |
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