Shadows in the Field: New Perspectives for Fieldwork in EthnomusicologyGregory F. Barz, Timothy J. Cooley Oxford University Press, 2008年9月9日 - 352 頁 Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts. In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field? The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition. |
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第 1 到 5 筆結果,共 78 筆
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... Writing about Fieldwork That's a precis of fieldwork—history and autobiography, in tandem. What, now, more specifically, about the history of the literature about fieldwork? Considering the centrality of fieldwork in the ...
... Writing about Fieldwork That's a precis of fieldwork—history and autobiography, in tandem. What, now, more specifically, about the history of the literature about fieldwork? Considering the centrality of fieldwork in the ...
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... writing. But there has all along been a thin strand of such writing, and Shadows in the Field, while it is a unique contribution that fills an important niche, should also take its place among a number of important landmarks that go ...
... writing. But there has all along been a thin strand of such writing, and Shadows in the Field, while it is a unique contribution that fills an important niche, should also take its place among a number of important landmarks that go ...
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... writing. Since 1986 she has researched the music, dance, daily life, and social politics among forest people (BaAka) from the Central African Republic, and has written about music/dance and modernity in Bangui (the capital city). In ...
... writing. Since 1986 she has researched the music, dance, daily life, and social politics among forest people (BaAka) from the Central African Republic, and has written about music/dance and modernity in Bangui (the capital city). In ...
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... writing a book about Ethiopian cultural creativity in diaspora. She has recently received fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, the Radcliffe Institute, and the John W. Kluge Center at ...
... writing a book about Ethiopian cultural creativity in diaspora. She has recently received fellowships from the National Endowment for the Humanities, the Guggenheim Foundation, the Radcliffe Institute, and the John W. Kluge Center at ...
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... writing has turned more to theoretical issues involving fieldwork, phenomenology, applied ethno musicology, and ethnomusicology's past and future. From 1990 through 1995 he was editor of Ethnomusicology, the journal of the Society for ...
... writing has turned more to theoretical issues involving fieldwork, phenomenology, applied ethno musicology, and ethnomusicology's past and future. From 1990 through 1995 he was editor of Ethnomusicology, the journal of the Society for ...
內容
Knowing Fieldwork | |
Toward a Mediation of Field Methods and Field Experience | |
From Performance to Performative Ethnography | |
Three Case Studies | |
European and Asian Perspectives | |
Working with the Masters | |
Encountering the Syrian Jewish | |
Sharing Songs Sharing Lives | |
Music | |
Returning to the Ethnomusicological Past | |
The Joys Dangers | |
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