Tamkang Review, 第 15 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 |
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第 1 到 3 筆結果,共 43 筆
第 66 頁
... reference word , Blyth writes : There is almost always a season word in haiku . This word may give the atmospheric background , it may be a kind of seed , a trigger which releases a whole world of emotion , of sounds and scents and ...
... reference word , Blyth writes : There is almost always a season word in haiku . This word may give the atmospheric background , it may be a kind of seed , a trigger which releases a whole world of emotion , of sounds and scents and ...
第 85 頁
... reference , " 37 i.e. , the web of references of the several parts of a work . Frank's argument is that this is " the key to spatial form " 38 since it is by reflective reference that the spatial illusion is largely rendered possible ...
... reference , " 37 i.e. , the web of references of the several parts of a work . Frank's argument is that this is " the key to spatial form " 38 since it is by reflective reference that the spatial illusion is largely rendered possible ...
第 158 頁
... reference to Lo Kuan - chung's tragic fate of begetting deaf mutes for the three generations because he wrote Water Margin is clearly based on Manuscript of Seven Major Categories . Wang Ch'i also stated in his A Continuation to the ...
... reference to Lo Kuan - chung's tragic fate of begetting deaf mutes for the three generations because he wrote Water Margin is clearly based on Manuscript of Seven Major Categories . Wang Ch'i also stated in his A Continuation to the ...
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