淡江評論, 第 36 卷Graduate School of Western Languages and Literature, Tamkang University, 2005 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 90 筆
第 217 頁
... characters do , yet the strategy for spiritual emancipation followed by the Stone as narrator presses the reader into such profound attachment to the characters as individuals that he or she must almost certainly fall in with their ...
... characters do , yet the strategy for spiritual emancipation followed by the Stone as narrator presses the reader into such profound attachment to the characters as individuals that he or she must almost certainly fall in with their ...
第 157 頁
... characters in the play . The attachment of the characters to the audience is greatly attributed to the arrangement of the characters ' positions on the stage and the deliberate adoption of an ingenious design for the stage setting . The ...
... characters in the play . The attachment of the characters to the audience is greatly attributed to the arrangement of the characters ' positions on the stage and the deliberate adoption of an ingenious design for the stage setting . The ...
第 160 頁
... characters - Dysart at first and then Alan , and vice versa . Like the characters , the audience unconsciously become the objects on the stage to be seen rather than the subjects who see the play . This transformation , however , is not ...
... characters - Dysart at first and then Alan , and vice versa . Like the characters , the audience unconsciously become the objects on the stage to be seen rather than the subjects who see the play . This transformation , however , is not ...
內容
Boyhood Ado Mary Farquhar and | 35 |
lescence and Adulthood in PreModern China Louise Edwards | 67 |
Zhou Ruchang | 89 |
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常見字詞
Alan appears audience Baoyu becomes beginning called Cao Xueqin chapter characters China Chinese critical cultural death desire discussion Dream essay example experience fact fantastic feeling fiction final Garden gender global hand Hong Kong Honglou meng human identity imagination important individual interpretation issue Jia Zheng kind language Lao Ts'an literary Literature Little Liu E's living look meaning moral narrative narrator nature novel object original play poem poetic poetry political position present published qing question reader reading Red Chamber reference reflects relation relationship Review role Scholars seems seen sense setting sexual shows significance social society space Stone story structure Studies things traditional translation Travels turn understanding University Wang Western women writing York Zhou