Dan jiang ping lun, 第 19 卷Graduate School of Western Languages and Literature, Tamkang University, 1989 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 15 筆
第 708 頁
... couplets . At the couplet level , the principle of tonal structure is opposition since the p'ing tsê arrangement of each couplet is opposite to that of its neighboring couplet . To be specific , the P'ing tsê arrangement of a couplet ...
... couplets . At the couplet level , the principle of tonal structure is opposition since the p'ing tsê arrangement of each couplet is opposite to that of its neighboring couplet . To be specific , the P'ing tsê arrangement of a couplet ...
第 712 頁
... couplet . The tonal design in the two lines within each couplet is built on the principle of opposition . According to the speech habit and the poetic convention , such an opposition in tonal arrangements will encourage a centripetal ...
... couplet . The tonal design in the two lines within each couplet is built on the principle of opposition . According to the speech habit and the poetic convention , such an opposition in tonal arrangements will encourage a centripetal ...
第 879 頁
... couplet refers to an object , the second refers to the mind of the lyrical subject . This parallel couplet manifests the condition of correspondence between the self and the world . The two- fold structure of the poetic form itself ...
... couplet refers to an object , the second refers to the mind of the lyrical subject . This parallel couplet manifests the condition of correspondence between the self and the world . The two- fold structure of the poetic form itself ...
內容
Editors Note | 437 |
Goethes Faust in Four Chinese Translations Adrian Hsia | 467 |
Approaches to Translating Modern | 501 |
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