Dan jiang ping lun, 第 19 卷Graduate School of Western Languages and Literature, Tamkang University, 1989 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 73 筆
第 862 頁
... poet uses the word " small " six times in the first two lines ( which , unfortunately , cannot be completely reproduced in the translation ) . It is obviously contrasted with " big " in the last two lines . There is a touch of childlike ...
... poet uses the word " small " six times in the first two lines ( which , unfortunately , cannot be completely reproduced in the translation ) . It is obviously contrasted with " big " in the last two lines . There is a touch of childlike ...
第 865 頁
... poet and his friends , through which the vast landscape is brought to an intimate level , made immanent to / in the human subjects . Compare Chu's poem with " Mattina " ( " Morning " ) by the Italian poet Giuseppe Ungaretti ( 1933 ) : M ...
... poet and his friends , through which the vast landscape is brought to an intimate level , made immanent to / in the human subjects . Compare Chu's poem with " Mattina " ( " Morning " ) by the Italian poet Giuseppe Ungaretti ( 1933 ) : M ...
第 886 頁
... poet and his reader . The second category is a kind of meditative poem in which the poet talks to himself or to no one in particular . The " persons " or inanimate entities addressed often act as a focusing device . In the third type ...
... poet and his reader . The second category is a kind of meditative poem in which the poet talks to himself or to no one in particular . The " persons " or inanimate entities addressed often act as a focusing device . In the third type ...
內容
Editors Note | 437 |
Goethes Faust in Four Chinese Translations Adrian Hsia | 467 |
Approaches to Translating Modern | 501 |
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