Dan jiang ping lun, 第 19 卷Graduate School of Western Languages and Literature, Tamkang University, 1989 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 29 筆
第 706 頁
... principle of tonal arrangements between the two hemistichs is similarity ; if it shows a right - branching , the principle is opposition . If we examine Figure 1 with the branching theory in mind , we find that there is a very ...
... principle of tonal arrangements between the two hemistichs is similarity ; if it shows a right - branching , the principle is opposition . If we examine Figure 1 with the branching theory in mind , we find that there is a very ...
第 708 頁
each couplet , the two lines are combined by the principle of opposition . The neighboring lines of the two adjacent couplets , however , are linked by the principle of similaity , though the left or right - branching of the final ...
each couplet , the two lines are combined by the principle of opposition . The neighboring lines of the two adjacent couplets , however , are linked by the principle of similaity , though the left or right - branching of the final ...
第 712 頁
... principle between the two hemistichs of the first line is similarity , that of the second must be similarity too . Within each couplet , the two lines assume the same principle of tonal patterns between hemistichs . But the two lines of ...
... principle between the two hemistichs of the first line is similarity , that of the second must be similarity too . Within each couplet , the two lines assume the same principle of tonal patterns between hemistichs . But the two lines of ...
內容
Editors Note | 437 |
Goethes Faust in Four Chinese Translations Adrian Hsia | 467 |
Approaches to Translating Modern | 501 |
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