Tamkang Review, 第 28 卷,第 1-3 期Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1997 |
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第 1 到 3 筆結果,共 30 筆
第 80 頁
... original , generic expectations , as well as the intended audience all play a part in determining strategies for the translation of universe - of - discourse features . " Javier Franco Aixelá maps out the possible strategies for ...
... original , generic expectations , as well as the intended audience all play a part in determining strategies for the translation of universe - of - discourse features . " Javier Franco Aixelá maps out the possible strategies for ...
第 122 頁
... original meaning to create a Chinese poem . On the other hand , he should not stick to old rules and use a clumsy method , such as the mot - à - mot in French , tearing the original into pieces that defy understanding . Translators have ...
... original meaning to create a Chinese poem . On the other hand , he should not stick to old rules and use a clumsy method , such as the mot - à - mot in French , tearing the original into pieces that defy understanding . Translators have ...
第 107 頁
... original self . Through writing , to Blanchot , language is in its strenuous search for its lost origin and the subject exists always in relation to its own otherness and this generates a repetition of perpetu- al detour and gives rise ...
... original self . Through writing , to Blanchot , language is in its strenuous search for its lost origin and the subject exists always in relation to its own otherness and this generates a repetition of perpetu- al detour and gives rise ...
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