淡江評論, 第 34 卷Graduate School of Western Languages and Literature, Tamkang University, 2003 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 47 頁
... voice , both male and female.23 In his article on " male fantasies " and " female realities , " Wilt Idema also addressed a similar question : impersonation by the male literati of the woman's voice.24 From this theoretical position I ...
... voice , both male and female.23 In his article on " male fantasies " and " female realities , " Wilt Idema also addressed a similar question : impersonation by the male literati of the woman's voice.24 From this theoretical position I ...
第 17 頁
... voice of a former star , a voice that comes from the director's sentimental remembrance of an age lost . Tsai makes no attempt to cover up the fact that the dancing body and the singing voice come from different sources . Thus we are ...
... voice of a former star , a voice that comes from the director's sentimental remembrance of an age lost . Tsai makes no attempt to cover up the fact that the dancing body and the singing voice come from different sources . Thus we are ...
第 18 頁
... voice of the chanteuse again lingers on after the visual image fades out and a written text as a footnote to the film appears . In this footnote Tsai is thankful that Ge Lan's beautiful voice will accompany us to the new millennium ...
... voice of the chanteuse again lingers on after the visual image fades out and a written text as a footnote to the film appears . In this footnote Tsai is thankful that Ge Lan's beautiful voice will accompany us to the new millennium ...
內容
TAMKANG REVIEW | 1 |
Literary Study as Glocalization J Hillis Miller | 9 |
CrossCultural Intertextuality Douwe Fokkema | 21 |
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