Tamkang Review, 第 29 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1998 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 67 筆
第 23 頁
... drama only through second- or third - hand accounts instead of primary sources , it seems that satire remained dominant in Song drama . A " Variety Play " had “ a prologue that was usually low comedy " ( Shih 7-8 ) . As explained in ...
... drama only through second- or third - hand accounts instead of primary sources , it seems that satire remained dominant in Song drama . A " Variety Play " had “ a prologue that was usually low comedy " ( Shih 7-8 ) . As explained in ...
第 25 頁
... Drama , " for example , the jing and the chou tease one another , while the mo scoffs at them , appearing to be superior to them in wit ( Zhou 133 ) . The chou role represents primarily a harmless fig- ure whose utterances are humorous ...
... Drama , " for example , the jing and the chou tease one another , while the mo scoffs at them , appearing to be superior to them in wit ( Zhou 133 ) . The chou role represents primarily a harmless fig- ure whose utterances are humorous ...
第 29 頁
... Drama criticism in the sixteenth and seventeenth centuries em- phasizes the su ( uncouth ) and the satiric elements in plays . An opposite to ya H ( elegance ) , su also means being " conventional , vulgar , unrefined , boorish , " and ...
... Drama criticism in the sixteenth and seventeenth centuries em- phasizes the su ( uncouth ) and the satiric elements in plays . An opposite to ya H ( elegance ) , su also means being " conventional , vulgar , unrefined , boorish , " and ...
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