Asian America Through the Lens: History, Representations, and Identity

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Rowman Altamira, 1998 - 248 頁
While some Asian American films and filmmakers are beginning to achieve acclaim in mainstream U.S. culture, neither academic scholars nor society as a whole has sufficiently taken account of the history of this rich and growing body of cinematic production. In Asian America Through the Lens, Jun Xing accomplishes the colossal task of surveying Asian American cinema for the first time, allowing its aesthetic, cultural, and political diversity and continuities to emerge. Unique insight into Asian American experience in both mainstream and alternative film production is provided by textual analysis as well as by the voices of filmmakers and actors themselves. With constant attention to the specificities of Asian American histories and cultures, Xing engages a broad range of issues and theoretical perspectives, drawing insight from such bodies of scholarship as African American and Latino film studies, Marxian cultural theory, ethnic studies and the politics of representation, and post-structuralist and feminist discourses.

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內容

A CINEMA IN THE MAKING
31
Cultural Essentialism and Asian American Films
32
Between a Weapon and a Formula
40
Asian American Aesthetics
44
CINEMATIC ASIAN REPRESENTATION
53
Representation as Image
54
Politics of Representation
64
Role Playing in Representation
74
HYBRID CINEMA BY ASIAN AMERICAN WOMEN
157
AvantGarde Film As History
159
Time and Subjectivity
161
Screen Space As Social Space
167
MARGINAL CINEMA AND WHITE CRITICISM
175
Practices of Marginalization
176
Validation As Approriation
184
Cultural Misreadings
190

DOCUMENTARIES AS SOCIAL HISTORY
87
Personal Diary Films and Family Portraits
89
Biographies and Communal History
96
Social Issue Documentaries
104
THE FAMILY DRAMAS
125
Historical Specificity and FamilyOriented Narrative Cinema
126
Becoming Asian American Subjectivity and Mixed Identities
140
Asian American Aesthetics
147
CONCLUSION
199
CrossOver Films
200
Films from the Asian Diaspora
206
Selected Bibliography
222
Selected Filmography
231
Index
239
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第 21 頁 - Far from being grounded in a mere 'recovery' of the past, which is waiting to be found, and which, when found, will secure our sense of ourselves into eternity, identities are the names we give to the different ways we are positioned by, and position ourselves within, the narratives of the past.
第 21 頁 - ... selves', which people with a shared history and ancestry hold in common.
第 17 頁 - Much of the work on racism in the cinema, like early work on the representation of women, has stressed the issue of the 'positive image'. This reductionism, though not wrong, is inadequate and fraught with methodological dangers. The exact nature of 'positive...

關於作者 (1998)

Jun Xing is Professor of Ethnic Studies and Director of the Difference, Power and Discrimination Program at Oregon State University. Trained as a cultural historian, he specializes in U.S. immigration history, American ethnicity, popular culture, and the history of cultural relations between the United States and East Asia. Dr. Xing is the author of Reversing the Lens: Ethnicity, Race, Gender and Sexuality through Film, and Baptized in the Fire of Revolution: The American Social Gospel and the YMCA in China, 1919-1937.

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