淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 69 筆
第 632 頁
... Shih had no concrete awareness of the Imagist credo and that his " Eight Don'ts " are prior to this " contact " with Imagism . This diary entry also lowers the possibility that Hu Shih might have had an " effective " contact with ...
... Shih had no concrete awareness of the Imagist credo and that his " Eight Don'ts " are prior to this " contact " with Imagism . This diary entry also lowers the possibility that Hu Shih might have had an " effective " contact with ...
第 727 頁
... Shih , is she not trying to force Lin Shih out of her hidden corner and expose her to the external world of which she is so much afraid ? Moreover , remembering that pen , penis , and knife are almost interchangeable symbols in ...
... Shih , is she not trying to force Lin Shih out of her hidden corner and expose her to the external world of which she is so much afraid ? Moreover , remembering that pen , penis , and knife are almost interchangeable symbols in ...
第 728 頁
... Shih on the story of Lin Shih generates a sense of cyclicity , suggesting that the history of Woman is only a series of repetitions . The time and place may change , but the story of Lin Shih ( Chan Chou Shih ) simply repeats itself ...
... Shih on the story of Lin Shih generates a sense of cyclicity , suggesting that the history of Woman is only a series of repetitions . The time and place may change , but the story of Lin Shih ( Chan Chou Shih ) simply repeats itself ...
內容
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
The Uncanny of Freud and The Mythomorphic | 69 |
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常見字詞
according aesthetic appears become beginning body called century Chang chapter characters China Chinese common comparative comparative literature completely concept concerned context criticism cultural described discourse discussion dream elements English example existence experience expression fact feeling female fiction French human Ibsen idea important influence interest interpretation kind language light literary literature living Long look meaning mind mirror narrative nature never Notes novel object organic Oriental original past person play poem poet poetic poetry political possible present Press published question readers reading reality reference reflection relation represent reveals seems sense sexual Shih significance social story structure suggests symbolic theme theory things thinking thought tion traditional trans translation true understanding University Wang West Western whole woman women writing York