淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 69 筆
第 571 頁
... beginning to the end , which determines what should be included and what ostracized , and which fills and connects gulfs and fractures so as to form a whole piece that , despite its diffuse elements , contains no disordered factors ...
... beginning to the end , which determines what should be included and what ostracized , and which fills and connects gulfs and fractures so as to form a whole piece that , despite its diffuse elements , contains no disordered factors ...
第 575 頁
vein , Aristotle declares that " A whole is that which has a beginning , a middle and an end . " " " He then goes on to define these terms : a beginning is that which requires nothing to have come before it ; a middle is that which ...
vein , Aristotle declares that " A whole is that which has a beginning , a middle and an end . " " " He then goes on to define these terms : a beginning is that which requires nothing to have come before it ; a middle is that which ...
第 585 頁
... Beginnings : Intention and Method , " Every writer knows that the choice of a beginning is crucial not only because it determines much of what follows but also because a work's beginning is , practically speaking , the main entrance to ...
... Beginnings : Intention and Method , " Every writer knows that the choice of a beginning is crucial not only because it determines much of what follows but also because a work's beginning is , practically speaking , the main entrance to ...
內容
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
The Uncanny of Freud and The Mythomorphic | 69 |
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according aesthetic appears become beginning body called century Chang chapter characters China Chinese common comparative comparative literature completely concept concerned context criticism cultural described discourse discussion dream elements English example existence experience expression fact feeling female fiction French human Ibsen idea important influence interest interpretation kind language light literary literature living Long look meaning mind mirror narrative nature never Notes novel object organic Oriental original past person play poem poet poetic poetry political possible present Press published question readers reading reality reference reflection relation represent reveals seems sense sexual Shih significance social story structure suggests symbolic theme theory things thinking thought tion traditional trans translation true understanding University Wang West Western whole woman women writing York