淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 18 筆
第 564 頁
... organic unity . Yes , a moderate view of organic unity , for the reason that William K. Wimsatt has pointed out : a " homelier and humbler sort of organicism " rather than that of extreme or absolute view will finally prove to be more ...
... organic unity . Yes , a moderate view of organic unity , for the reason that William K. Wimsatt has pointed out : a " homelier and humbler sort of organicism " rather than that of extreme or absolute view will finally prove to be more ...
第 569 頁
... organic unity . " It is called organic , he explains , simply " because organism was introduced early as an illustrative simile or metaphor . " 19 With this view , Orsini indicates that it may as well be called by a variety of other ...
... organic unity . " It is called organic , he explains , simply " because organism was introduced early as an illustrative simile or metaphor . " 19 With this view , Orsini indicates that it may as well be called by a variety of other ...
第 576 頁
and inspiring , but cannot guarantee an organic work . An organic work must originate and evolve with its own nature , fusing in one vital unity both form and content . Its shaping principle is inherent ; its achieved form is directed ...
and inspiring , but cannot guarantee an organic work . An organic work must originate and evolve with its own nature , fusing in one vital unity both form and content . Its shaping principle is inherent ; its achieved form is directed ...
內容
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
The Uncanny of Freud and The Mythomorphic | 69 |
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according aesthetic appears become beginning body called century Chang chapter characters China Chinese common comparative comparative literature completely concept concerned context criticism cultural described discourse discussion dream elements English example existence experience expression fact feeling female fiction French human Ibsen idea important influence interest interpretation kind language light literary literature living Long look meaning mind mirror narrative nature never Notes novel object organic Oriental original past person play poem poet poetic poetry political possible present Press published question readers reading reality reference reflection relation represent reveals seems sense sexual Shih significance social story structure suggests symbolic theme theory things thinking thought tion traditional trans translation true understanding University Wang West Western whole woman women writing York