淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 80 筆
第 566 頁
full presence -- which is beyond the play of signification . But , in Derrida's analysis , the play of signification can never come to rest in an absolute presence ; it is deferred , put off , delayed -- as his coinage " différance ...
full presence -- which is beyond the play of signification . But , in Derrida's analysis , the play of signification can never come to rest in an absolute presence ; it is deferred , put off , delayed -- as his coinage " différance ...
第 750 頁
... play written to explore exactly " why it is that in Asian theatre and also in Shakespearean theatre men play women's roles " and to " deal with the concept of the onnagata in the context of a Western play " ( DiGaetani 146 ) . The play's ...
... play written to explore exactly " why it is that in Asian theatre and also in Shakespearean theatre men play women's roles " and to " deal with the concept of the onnagata in the context of a Western play " ( DiGaetani 146 ) . The play's ...
第 752 頁
... play ideologically ambivalent , caught up in the dilemma of the exposure of errors and the production of truth . Like costumes , cultural and gender identities are thus presented in the play as constantly oscillating between ...
... play ideologically ambivalent , caught up in the dilemma of the exposure of errors and the production of truth . Like costumes , cultural and gender identities are thus presented in the play as constantly oscillating between ...
內容
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
The Uncanny of Freud and The Mythomorphic | 69 |
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常見字詞
according aesthetic appears become beginning body called century Chang chapter characters China Chinese common comparative comparative literature completely concept concerned context criticism cultural described discourse discussion dream elements English example existence experience expression fact feeling female fiction French human Ibsen idea important influence interest interpretation kind language light literary literature living Long look meaning mind mirror narrative nature never Notes novel object organic Oriental original past person play poem poet poetic poetry political possible present Press published question readers reading reality reference reflection relation represent reveals seems sense sexual Shih significance social story structure suggests symbolic theme theory things thinking thought tion traditional trans translation true understanding University Wang West Western whole woman women writing York