淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 79 筆
第 266 頁
... social influence is concerned , but why do people begin to shift their interest in Ibsen's social themes to other aspects of his drama despite the fact that the social themes were once so influential ? Even more interesting is the ...
... social influence is concerned , but why do people begin to shift their interest in Ibsen's social themes to other aspects of his drama despite the fact that the social themes were once so influential ? Even more interesting is the ...
第 273 頁
... social protests of the past century simply lost the objects of their attacks . Since Ibsen was still treated as a playwright of social protest , his plays lost their sensational appeal to the audience . Only after a decade or so when ...
... social protests of the past century simply lost the objects of their attacks . Since Ibsen was still treated as a playwright of social protest , his plays lost their sensational appeal to the audience . Only after a decade or so when ...
第 276 頁
... social influence was first seen in the advocacy of individualism and iconoclasm in the writings of Lu Hsun and Hu Shih . The social movements in China gave the interpretation of Ibsen's plays a new political context by which the critics ...
... social influence was first seen in the advocacy of individualism and iconoclasm in the writings of Lu Hsun and Hu Shih . The social movements in China gave the interpretation of Ibsen's plays a new political context by which the critics ...
內容
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
The Uncanny of Freud and The Mythomorphic | 69 |
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according aesthetic appears become beginning body called century Chang chapter characters China Chinese common comparative comparative literature completely concept concerned context criticism cultural described discourse discussion dream elements English example existence experience expression fact feeling female fiction French human Ibsen idea important influence interest interpretation kind language light literary literature living Long look meaning mind mirror narrative nature never Notes novel object organic Oriental original past person play poem poet poetic poetry political possible present Press published question readers reading reality reference reflection relation represent reveals seems sense sexual Shih significance social story structure suggests symbolic theme theory things thinking thought tion traditional trans translation true understanding University Wang West Western whole woman women writing York