淡江評論, 第 22-23 卷Graduate School of Western Languages and Literature, Tamkang University, 1991 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 83 筆
第 216 頁
" true " as a basis and measure of great literature : When the great masters express feelings , they penetrate into the inner core of one's being . When they describe scenery , they open up one's eyes and ears . Their words just come ...
" true " as a basis and measure of great literature : When the great masters express feelings , they penetrate into the inner core of one's being . When they describe scenery , they open up one's eyes and ears . Their words just come ...
第 217 頁
... true , " with its emphasis on the isolation of the object of contemplation from all irrelevancies , this idea of the " true " is not really alien to Chinese aesthetics . Ssu - k'ung T'u , for example , in his poetical trea- tise ...
... true , " with its emphasis on the isolation of the object of contemplation from all irrelevancies , this idea of the " true " is not really alien to Chinese aesthetics . Ssu - k'ung T'u , for example , in his poetical trea- tise ...
第 226 頁
... true . " What , then , does " not blocking " really mean ? Does it simply refer to the language of poetry ? And does it relate to his central notion of " world " and " true " ? In one of the passages cited earlier from JCTH , Wang ...
... true . " What , then , does " not blocking " really mean ? Does it simply refer to the language of poetry ? And does it relate to his central notion of " world " and " true " ? In one of the passages cited earlier from JCTH , Wang ...
內容
Translation and Reception of Chinese Poetry | 43 |
Schillers Tale | 59 |
The Uncanny of Freud and The Mythomorphic | 69 |
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according aesthetic appears become beginning body called century Chang chapter characters China Chinese common comparative comparative literature completely concept concerned context criticism cultural described discourse discussion dream elements English example existence experience expression fact feeling female fiction French human Ibsen idea important influence interest interpretation kind language light literary literature living Long look meaning mind mirror narrative nature never Notes novel object organic Oriental original past person play poem poet poetic poetry political possible present Press published question readers reading reality reference reflection relation represent reveals seems sense sexual Shih significance social story structure suggests symbolic theme theory things thinking thought tion traditional trans translation true understanding University Wang West Western whole woman women writing York