Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 47 筆
... Mei , " turning the western gaze into a spectacle itself . " Secondly , Mei's innovations and " success at be- coming an icon of Chinese national culture . . . enabled the forgetting of his historical contextuality . Instead of becoming ...
... Mei's ac- count . For Zhou , the costume was designated as " female " particularly because it was borne by a male body ; indeed , in addition to certain conventional ref- erences , its designation as " female " was realized through its ...
... Mei's numerous stagings of women because of its dramatized , rather than implicit , rejection of the " bad mimesis " of traditional theater . Moreover , this play was unique in Mei's extensive repertoire because it represented a case in ...
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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