Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 28 筆
... Mei Lanfang and the Clothing of Modern Chinese Men JOHN ZOU >> 1 On December 27 , 1994 , former Chinese president Jiang Zemin delivered the opening address at a symposium commemorating the late Peking opera actors Mei Lanfang ( 1894 ...
... Mei Lanfang that pro- jected Peking opera as China's national theater , however , we must consider certain apparent ironies . Trained as an opera singer in the female roles , Mei developed his career by playing an extensive catalogue of ...
... Mei the suave cross - dresser bears a no less significant message . It is true that in modern times the Chinese ... Lanfang in the early twentieth century , see Joshua Goldstein , " Mei Lanfang . " 4. Because of the enormous prestige ...
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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