Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 18 筆
... Zhou Xinfang ( 1895-1975 ) . “ As our country's traditional theater communities and literary and artistic groups are celebrating the birthday centennials of Mei Lanfang and Zhou Xinfang , " the president proclaimed , " the purpose of ...
... Zhou Zuoren's description it was the female clothing rather than the male body that was foregrounded in theatrical performance , the opposite is true in Mei's ac- count . For Zhou , the costume was designated as " female " particularly ...
... Zhou Enlai , 148 Zhou Xinfang , 79 Zhou Xuan , 245 Zhou Zan , 172-173 Zhou Zouren , 85-91 , 95 , 109 Zhu Rongji , 147 Zhu Xiafeng , 86 Zhu Yu , 120 , 137-144 Zito , Angela , 7 , 8 , 10 , 14-15 , 18n . 5 , 22-41 Zou , John , 12 , 17-18 ...
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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