Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
搜尋書籍內容
第 1 到 3 筆結果,共 24 筆
... called " peripheralist " : It aims to illuminate the contours of dominant gendered and sexual formations through attention to those ways of being that , through the workings of cultural history , have been excluded from serious ...
... called “ stage entry " ( shangchangmen ) and the official seats to the left are called " stage exit " ( xiachangmen ) . Those hankering after dan are known as dou , and they compete for the stalls close to the stage exit . . . . The ...
... called conceptual art , which had degenerated into a stereotypical taste for minimalist formulas and a penchant for petty cleverness . The results were manifold : ideas over- powered real feeling for art ; verbal explanations became ...
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
著作權所有 | |
10 個其他區段未顯示