Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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... characters . The script is also sent to the music group , which composes a signature tune for each character as well as theme music for the credits and background music for various types of scenes . Once the dia- logue and music have ...
... characters . In dance performances , female charac- ters tend to follow the " national dance " style based on Chinese opera move- ments , while male characters either do choreographed sword - fighting routines to Pili theme music , or ...
... characters since 2000 , in the first Pili COS skits the performers did recite their own lines . " But , " she told me , " when the COSers picked up the microphone , well , they felt very happy , but the people in the audience didn't ...
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TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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