Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
搜尋書籍內容
第 1 到 3 筆結果,共 32 筆
... cross - dressed performance , especially as championed by Mei , that routinely left Chinese audiences spellbound . My questions may be formulated in three related steps . First , if we con- sider the aspects of Peking opera particularly ...
... cross - dressed theater to nationalist rhetoric ? No doubt the rediscovery of Mei and his theatrical legacy in post - Mao China has much to do with gov- ernment policies , but it also registers a discursive point where political and ...
... bearer of a miraculous metamorphosis from social disgrace to na- tional grandeur , the cross - dresser's dehistoricized body discloses a marvel- ously reassuring logic in the discursive formation of China's modern CROSS - DRESSED NATION 95.
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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