Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
搜尋書籍內容
第 1 到 3 筆結果,共 89 筆
... female persona was rendered obsolete . In its place emerged a stylistically intensified female persona and a sartorially in- dependent male body . This new " bare " body was not exposed but hidden . It was bare not because it was " half ...
... female cloth- ing was displayed . Female clothing now afforded not an instrument to stage the male body , but a surface that concealed such a body . Second , the male body did not disappear in toto . It still occupied the center stage ...
... female clothing rather than the male body that was foregrounded in theatrical performance , the opposite is true in Mei's ac- count . For Zhou , the costume was designated as " female " particularly because it was borne by a male body ...
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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