Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
搜尋書籍內容
第 1 到 3 筆結果,共 63 筆
... film as art , . . . an ethical concept of authorship , ... the film auteur's social responsibility regarding Hong Kong , and ... cine- matic realism as a preferred mode of cinematic representation that reflects artistic and ethical ...
... film reconceptualizes the notion of com- munity within the frame of an aesthetic of ruin . Or more precisely , the film moves from an " overripe " image ( one rendered in loving detail ) to an image of ruin to conceive of how we might ...
... film is languorous in its long takes and slow tracking shots . Set in 1946 , Tian's film invokes the same sense of claustrophobia as In the Mood for Love ( Mark Li Ping - bing is the cinematographer for both In the Mood for Love and ...
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
著作權所有 | |
10 個其他區段未顯示