Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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... hair and makes her don the T - ish accoutrements of hair - gel , men's suits , and aftershave , so that she can better approximate Han - Han's " ideal man . " Han - Han herself , mean- while , favors the distinctly po femme - fatale ...
... Hair , " discussed here , and a painting by Frida Kahlo entitled " Self - Portrait with Cropped Hair " ( 1940 ) . The painting is of a newly shorn Kahlo dressed in a man's suit , surrounded by the eerily alive - looking fallen ends of ...
... Hair , " 60 . 35. Liou , Yuwang gengyishi , 126 . 36. Qiu , " Platonic Hair , " 55 . 37. Liou , Yuwang gengyishi , 125 . 38. " Erotic identity " is Newton and Walton's term . “ Misunderstanding , " 167–175 . Like the hair symbol , the ...
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TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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