Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 40 筆
... production and exhibition as counter to or " uncooperative " with the Biennale , their international symbolic value , and their self - conscious contrast with existing commercially oriented art - ironically brings attention to , and ...
... production of affect and in immaterial ana- lytic and symbolic tasks.9 In many ways , Pili fandom parallels global processes of boundary blur- ring between bodily - affective and analytic - symbolic , masculine and feminine , labor ...
... production team . The Pili production process starts with a script . Once the script is written , it is sent to Huang Wenze , who starts work- ing on the voices , and to the “ appearance bureau ” ( zaoxing zu ) , which starts to ...
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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10 個其他區段未顯示