Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 16 筆
... puppets are replaced with new ones ) , but they must retain their original features . Fans now refer to the older puppets , with their comparatively flat features , as having “ cookie faces . ” The puppet bodies have also become more ...
... puppets . One of Huang Junxiong's major changes in adapting po - te - hi to television was making the puppets twice the traditional size and giving them movable elbows , wrists , knees , eyelids and lips . The Pili Company has continued ...
... puppets and the movement of the video camera . In traditional po - te - hi , puppet movements imitate the highly stylized gestures of Chinese opera . Each role type has a spe- cific repertoire of movements , each of which indexes the ...
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TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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