Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 3 筆結果,共 27 筆
... voice , movement , costume , facial features , music - each of which is the responsibility of a different unit within the Pili production team . The Pili production process starts with a script . Once the script is written , it is sent ...
... Voice : Anchoring Pili in the Local Tension between organic unity and the distance created by striation is most vivid in the video po - te - hi's voice track . One unique feature of the Pili seri- als , which separates them from other ...
... voice and body , even the virtual disappearance of the voice , as a fea- ture of most COSplay . It is rare for COSers at conventions or photo outings to speak in character . They say they try to maintain the character's dignity through ...
內容
TheorizingFetishizing Footbinding | 21 |
The Fate of Male SameSex Prostitution | 42 |
Rewriting Sexual Ideals in Yesou puyan | 60 |
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