Shostakovich Studies

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Cambridge University Press, 2006年11月2日 - 292 頁
Few composers' posthumous reputations have grown as steadily as Shostakovich's. Yet outside the concert hall the focus of attention seems to have been on the extraordinary circumstances of his life rather than on the music itself. This book seeks to show that the power of his work stems as much from its craftsmanship as from its political and personal context. The eleven essays lay a foundation for a proper understanding of Shostakovich's musical language as well as providing new insights into the issues surrounding his composition.

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musicology
1
Public lies and unspeakable truth
17
Form in Shostakovichs instrumental works
57
Russian theorists on modality in Shostakovichs music
76
The cycle of structure and the cycle of meaning
113
Leitmotif in Lady Macbeth
137
From Lady Macbeth to Katerina
160
the true story of the première
189
And art made tonguetied by authority
205
A debt repaid? Some observations on Shostakovich
229
the erosion
254
Index
271
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