淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 45 筆
第 340 頁
... beginning or end of things . . . . . The beginning may be the end and the end may be the beginning . Who knows their order ( chi , periodicity , narration ) ? As to what exists outside of things or before the beginning of events , I do ...
... beginning or end of things . . . . . The beginning may be the end and the end may be the beginning . Who knows their order ( chi , periodicity , narration ) ? As to what exists outside of things or before the beginning of events , I do ...
第 349 頁
... beginning of The Iliad Homer invokes the Goddess of Song to help him compose a song about Achilles ' wrath . The invocation of the Muse also appears at the beginning of The Odyssey , where Homer asks her to reveal to him the story of ...
... beginning of The Iliad Homer invokes the Goddess of Song to help him compose a song about Achilles ' wrath . The invocation of the Muse also appears at the beginning of The Odyssey , where Homer asks her to reveal to him the story of ...
第 355 頁
... beginning of the last stanza the image of a bird . flying high , which links God with an earthly sovereign , may serve both as an analogy of and contrast to the earthly sovereign . In the sense that the bird reaches heaven , it is an ...
... beginning of the last stanza the image of a bird . flying high , which links God with an earthly sovereign , may serve both as an analogy of and contrast to the earthly sovereign . In the sense that the bird reaches heaven , it is an ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese Chinese novel classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream dynasty emotion emphasized English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation truth turn University various Wang Western whole writing York