淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 73 筆
第 88 頁
... Nature , ' is in turn part of the unity of Nature ( i.e. , natural unity , which we may call the primary unity ) . * So long as the formal critic can ' subsume ' content entirely in form , so long as his attention is directed entirely ...
... Nature , ' is in turn part of the unity of Nature ( i.e. , natural unity , which we may call the primary unity ) . * So long as the formal critic can ' subsume ' content entirely in form , so long as his attention is directed entirely ...
第 188 頁
... nature ( or superature ) and history . Indeed , as Barthes points out , the very principle of myth is that " it transforms history into nature . " 27 28 At this point it is necessary to consider the question whether Barthes's theory of ...
... nature ( or superature ) and history . Indeed , as Barthes points out , the very principle of myth is that " it transforms history into nature . " 27 28 At this point it is necessary to consider the question whether Barthes's theory of ...
第 361 頁
... Nature . The image of mist and flowers in early spring not only represents the beautiful misty landscape in the ... nature - the mountain , river , and sky . The replacement of the boat with nature at the end of the poem signifies that ...
... Nature . The image of mist and flowers in early spring not only represents the beautiful misty landscape in the ... nature - the mountain , river , and sky . The replacement of the boat with nature at the end of the poem signifies that ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese Chinese novel classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream dynasty emotion emphasized English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation truth turn University various Wang Western whole writing York