My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music. Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text. |
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內容
13 | |
From Indianola to No Cola The Strange Career of the AfroPuerto Rican Musician | 52 |
Pipe Wrenches and Valve Trombones Puerto Rican WorkerMusicians | 84 |
Vente Tu Puerto Rican Musicians and the Recording Industry | 129 |
El Home Relief Canario and the New York Plena | 169 |
Sow de Borinquen Son del Barrio | 191 |
Notes | 205 |
Bibliography | 227 |
245 | |
247 | |
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常見字詞
activities African African-American Afro-Puerto Rican areas artists audiences bands became began Brooklyn brought called Canario career century changes cinema clubs Coen Collection composers context continued created Cuarteto Cuba Cuban cultural dance December developed early economic ensembles ethnic ethnic groups example experience forms genres groups Harlem helped identity important included industry influence interview by author island jazz late later Latin American Latin American Music leaders living López Cruz migration municipal North American orchestra organized original Pedro performers period played plena political popular popular music population produced Puerto Rican musicians radio Rafael Hernández record companies regions remembers Rico Rodríguez San Juan shows singer singing social society songs sounds Spanish style theater throughout tion town Trío United University variety Vega Victor World York City
熱門章節
第 1 頁 - People and their cultures perish in isolation, but they are born or reborn in contact with other men and women, with men and women of another culture, another creed, another race.